What Can I Say?

We bought our tickets to an Eagles tribute dinner dance, the third retro event of this type that we had attended in that year. Run by the City Beach Function Centre in Wollongong, we were invited to all of them by Lesley, one of the ladies in Out of the Blue Singers, the choir in which I sing. Along with about a dozen other members of the choir and their partners, we went to the first dinner dance to give it a go. It was a bit of a ‘why not ‘decision. The food was great, the wine free flowing and the music terrific to dance to.  So, that was enough reason to go to the second, which featured a band that played sixties music.  Again, it was heaps of fun.

Although much of my choir’s repertoire could be described as retro pop, I have an embarrassingly poor knowledge of pop music, and had barely heard of the Eagles let alone any of their songs.  In fact, on the afternoon before the show, I did a bit of googling and came upon and listened to Hotel California. Immediately, I realised that I knew some of the tune and just one line of the song – Welcome to Hotel California.  But in listening to the lyrics for the first time I was struck by the surreal and terrifying story that they tell – a man is seduced by ‘such a lovely place, such a lovely face’ but cannot escape from some brutal entrapping force that pervades the hotel in the desert:

‘Last thing I remember, I was
Running for the door
I had to find the passage back to the place I was before
‘Relax’ said the night man,
‘We are programmed to receive.
You can check out any time you like,
But you can never leave!’

To be honest, we were uncertain about the merits of going to this third show. Steve was nursing an injured knee (running with one of daughters and our eldest grandson a few months before) and this was going to be a serious impediment to his enjoyment.

Neither of us is a confident dancer. My ability to move on the dance floor is about as good as my ability to master the choreography that occasionally accompanies our choral performances.  However, I don’t really care, I just love letting my hair down and moving in any way the music suggests to me.  And, in coming to these shows Steve’s strategy is to ply himself with enough alcohol to feel relaxed enough to just dance like a crazy. There are no half measures for him, so suggestions that he could take it easy in order to avoid further hurting his knee were met with near contempt.

Even if we sat out a few of the songs, when we did get up on the floor, we both did our thing, moving like idiots together, becoming 16 and 18 again and not caring that were really much older.

Probably because we sat out more than we had at the previous shows, I had the opportunity to take in more of what was happening around me.  The crowd was dominated by people in their fifties and sixties. Many in fashionable finery, others in jeans, a few wearing those ‘comfort’ shoes that are designed for oldies. One tall bloke discarded his shoes and was just wearing his socks.

Groups of women were dancing, dancing, dancing in sheer delight as if there was no tomorrow. Arms swinging, bodies twisting and turning, legs stepping, kicking, feet tapping irresistibly in time with the music. The sheer freedom and exhilaration of it all.  Sidestepping in chorus line unison or moving in and out of ever forming and reforming circles of friendship.

Then there were the couples. Many embraced, arm in arm, lost to the rest of the crowd. A few old guys with crook hips or knees and big bellies swaggered on to the floor, hips and knees rocking, feet barely shuffling but nevertheless transported by the music back to discos, pubs and Police Boys’ dances from 40 or 50 years ago. We were all teenagers feeling hip, groovy, hanging out with our lovers and friends.  Strutting, cooing, cuddling, arms romantically clutched around each other’s necks, staring into each other’s eyes.

We are avid theatregoers, we love seeing films and going to concerts, but neither of us has much appetite for going to the ballet or watching contemporary dance. I don’t think we really get it as an art form.  But probably for the first time in my life I realised how utterly enrapturing and magical dance can be as an expression of love and friendship. And by contrast with the seductive nightmarish qualities of the Hotel California, we could happily leave our sweet fantasy world when the music died.

November 2017

The Wedding

The Walkabout describes itself as an Aussie bar, restaurant & guesthouse.  It is one of a number of small bars in Jom Tien that are intended to cater to specific national groups.  On the opposite side of Soi 9, Rich Man Poor Man flies the American flag, while just around the corner on the waterfront strip are places catering for Dutch nationals, Swedes and Russians.

An oasis for Australian travellers, the Walkabout offers Australian grog and – in large red print – ‘Great Aussie Tucker’. One blackboard at the front of the building advertises ‘All Day big Breakfast – eggs, 2 bacon, 2 sausages, tomatoes, baked beans, potatoe, toast, orange juice, tea or coffee’ for 150 baht. A second promises chicken with chips and sauce or mashed potatoes.  An Australian flag hangs in the back left hand corner, and half way along each wall there are two large flat screen televisions, showing Australia Network programs.  From the street, the Walkabout looks like a long, narrow shed – door-less yet dark.

The centrepiece of the place is a chest-high, u-shaped bar that runs from the street and extends for about three quarters of the length of the building.  The sides of the bar are covered with the grey corrugated iron that is common on the roofs of old Australian houses.  Spilling onto the street are bench tables and seats. But these are secondary places to sit – perhaps to eat as well as drink.   The main game is at the bar.

When somebody signals that the bridal party is coming, the groom and his best man set aside their stubbies – kept cool in familiar stubbie holders – and dismount from their stools.  They move to a narrow floor space that lies between the right side of the bar and the pool table, which is covered (for the occasion) in a richly patterned yellow Thai silk cloth.

The bride, resplendent in a shoulder-less, full length cream brocade and satin dress, carries a small posy of pink lilies and roses.  Arm in arm with her father, she carefully makes her way 150 metres along Soi 9 from the Executive Apartments to the Walkabout.  As she comes into view, her face is a study of concentrated effort to keep at bay the rising panic that is threatening to undermine her confidence.

Following the bride are two young women, one – obviously a bridesmaid – in a maroon satin dress, the other in a white blouse and black culottes, which extend to just below her knees.  The bride’s mother follows, wearing a soft green multi-layered frock.  And falling in behind is the groom’s daughter, a woman perhaps in her late twenties.  She is carrying a ten-month old boy, the child of the bride and the groom.

Motor bikes and cars weave around the little party, as it makes its way past trolleys selling mangoes, bananas, an array of fried sweets, brown feather dusters, and miscellaneous bric a brac.  The bride’s father kicks away a small plastic bag that clings to his shoe.

A pack of scrawny dogs wanders aimlessly along the soi. Closest to the Walkabout is a Dalmatian, its soft pinkish skin belying an edgy suggestion of aggressiveness.

Waiting in the Walkabout with the groom and his best man are about a dozen or so family and friends. Some of the guests are drinking mates of the groom, for whom the Walkabout is obviously a familiar haunt.  Others look less at ease.  All have travelled from Australia for the occasion.

The groom and his best man wear black trousers and shoes, and cream short sleeve shirts with Chinese collars (made locally for the wedding).  Each wears a corsage of a single pink rose surrounded by delicate leaves and bound together by a green strip.  Corsages are also distributed to guests and pinned to shirts and dresses by the bar staff. The corsages are the ingenious creation of the bride’s mother.  She has bought flowers from a local street vendor, gathered greenery from the garden surrounding the pool at the Executive Apartments, borrowed scissors from the Walkabout to cut a green plastic bag into strips and pierced the corsages with safety pins.

The celebrant – a Canadian minister from the local Baptist mission a couple of kilometres along the beachfront – makes his way to the appointed position.  After much anxious searching, the groom had secured his services only the day before.  Smiling gently at the guests and touching them lightly on arm or shoulder as he passes, he silently signals the joyous and sacred purpose of the occasion.  Almost without notice, two Thai government officials have also slipped into the bar and stand ready to register the marriage.

Passing the lingering Dalmatian, the bride and her father enter the Walkabout between two tall floral arrangements of pink and white lilies, chrysanthemums and daisies standing proud in front of long palm fronds and banana leaves, all draped in large pink satin ribbons. As the bride and her father make their way through the waiting crowd to the back of the bar, the bride’s delicate cream net veil comes into view.  So too does the singlet that her father wears beneath his white shirt: it bears the words ‘Beer Chang’.

Once they reach the celebrant, the bride’s father steps back.  The groom steps forward to stand beside the bride, his left arm, adorned with a dense blue tattoo, resting just below the bride’s right arm.  The mother of the bride is encouraged by others to take up a position towards the front of the crowd.  To the side of the couple, their baby, uncomfortable with the humid heat and the closeness of the crowd, is soothed by the groom’s daughter.  Cameras click.  The minister begins the ceremony, reminding us of the solemnity of the occasion.  His words command respect; all fall into an attentive silence. And then strong and certain and clear, the couple exchange their vows.

Following the signing of papers, the minister’s traditional declaration of the couple as husband and wife is met with cheers and applause.  Moments later a naming ceremony is held for the baby boy.  The bride’s godparents, her aunt and uncle, pin St Christopher medallions on the little boy and his godparents.  This is done quickly to minimise the little boy’s growing discomfort.

Within seconds, the minister departs as do the Thai Government officials, and the wedding party begins.  During the ceremony, a young pig has been roasting on a spit at the front of the bar.  It is now carved and placed on the pool table, along with bowls of potato salad, coleslaw and garden salad.  For much of the rest of the afternoon the guests move between the bar and the pool table, stocking up on pork and then quenching their thirst, mostly with beer.  The groom is back on a stool at the bar.  The bride finds her place among a group of friends at a table at the front of the bar. 

Various guests fuss over the baby in an attempt to cool him down.  One guest, a tall African American gently washes his face, and arms and legs.  Someone strips the baby of his wedding outfit.  Another guest fossicks through a baby bag for a bottle of water and gives him a drink.

There are no speeches, just a continuous flow of grog, food and conversation, punctuated by temporary departures to nearby hotel rooms to change into shorts, t shirts and thongs.  Eventually, even the bride decides that it is time to be released from the sweltering effects of her bridal frock.

The focus of attention in the bar shifts – an important football game is about the start.  Some of the guests reappear in Dockers sleeveless purple jerseys.  The TVs are turned back on, and once the game begins, the barracking is loud and robust, the volume only receding as it becomes obvious that Adelaide is pushing their beloved Freo Dockers out of a place in the next round of the finals.

The game ends.  The bride and her baby return to the apartment. One by one, the guests drift away – only a few friends remain at the bar with the groom.

September, 2012

Fat Chicks

I turn right off Springhill Road into Masters Road, when I notice a ute in front of me bearing a sticker. The only word that I can reliably make out is ‘Fat’ and I think that the next word is ‘chick’. Surely not, I think.  Curious I think. Is the driver a fat chick? Does the driver have some form of fetish for a ‘fat chick?

The vehicle momentarily speeds away but then takes the Figtree exit that I am headed for. The vehicle slows down to meet the 50 kilometres per hour speed limit and to negotiate the exit onto the Avenue. I am now able to get a better view of the sticker. It seems to read ‘Fat chick make me sick’. I follow him along the Avenue and our cars stop for the red light in front of Figtree Grove – formerly Westfield.  So I have another opportunity to read the sticker.   My first reaction is one of disgust at the cruelty of the message.  But this is also mixed with the thought that the sticker maker and sticker buyer are both a bit thick because the statement either contains a grammatical error or is a command. As it is written it is a command for a fat chick to make the owner sick. Then I surmise that this is a mistake and the intended meaning is that Fat chicks make the driver sick.  Another set of traffic lights at the intersection of the Avenue and the Princes Highway avails me a chance not only to confirm the statement but to gain a glimpse of the driver and his passenger before they turn left and disappear. He’s probably in his twenties as is his pony tailed female friend.

Then my mind goes to a different place. Firstly, I wonder about the thought processes and actions that led him to get the sticker. Did he search for and then buy it online after seeing a young fat woman that he found ugly? I assume the term ‘chick’ refers to a young woman. Did he come across the sticker in a shop, and on a whim, decide to buy it because it reflected his attitude about young fat women.  

A quick search online makes me realise that I am on the wrong track entirely. There is a whole series of ‘fat chicks’ stickers which it is cool to place on a car bumper. Amazon sells them as does an Australian motor head’s website, Street FX Motorsport, where stickers bearing the message ‘no fat chicks – car will scrape’ are promoted as the perfect addition to your car or as a laugh for your mates.

Then I wondered how the females in his life reacted to his purchase. Did his mum, or his sister or his girlfriend question his motives in placing it on the back window of his ute. Who is he talking to? Does he want other drivers to honk their sympathy or agreement? What about his dad or his brothers or his grandad?  What about the other people with whom he works. Does any of them think that there is something unkind and dehumanising about the sticker? I really hope so.

August, 2018

Zion

The directions on my information sheet told me to enter at the main entrance of the convent on St Heliers St and follow the signs to the Linen Room.  As I made my way through the elegant grounds of the complex, past a café and other food outlets, contemporary art installations, and pop up markets, and then to my destination for the day, it dawned on me that I had a connection to the convent and its history.  This was the ‘Linen Room’ of the old Abbotsford Convent in Melbourne, a huge double room with gloriously high ceilings and ornately carved mahogany wood work.

In its heyday the Linen Room would have been a less joyous space serving a less genteel or romantic function.  It was an industrial laundry – Victoria’s biggest – run by the Good Shepherd sisters, with the labour provided by its female inmates – juvenile delinquents placed there via court orders by the police, or young unwed pregnant women sent there by their parents in an attempt to avoid moral opprobrium.

The convent closed in 1972, and around that time, my Mum’s cousin Naomi lived there. A social worker by profession, Naomi was also a Good Shepherd sister. While she spent much of her working life in the order’s convent in Leederville Western Australia, she also spent some time at Abbotsford.

I seem to recall that this was also the location of a dramatic standoff staged by a number of young inmates who climbed onto the roof, either as a protest against their incarceration or just as an act of gleeful rebellion.  I have vague memories of TV news footage of police cars and ambulances assembled in the grounds trying to encourage the young women back to safety.  I was a young woman myself at the time and the incident reverberated not just because of Naomi’s association with the place.  She had earlier given me the opportunity to spend a couple of days at the Leederville convent getting some insights into social work and what the Good Shepherd sisters did with young women. The two days were enough to put me off social work for life.

Just a few years ago I sought out Naomi’s assistance to provide me with some documented evidence of my maternal grandmother’s stay at the Leederville convent from 1931 to 1934. I know she stayed there because the state government child welfare records attest to this fact.  My mum Pat and her brother Joey– aged 4 and 5 respectively – were made wards of the state in 1931 ‘under a Court Committal Warrant issued in Perth’ and placed in St Vincent’s Foundling Home for the next three years.

Immediately next door was the Good Shepherd Convent, where their mother Vera had been placed having suffered a nervous breakdown, which the child welfare records suggested had ‘affected her slightly mentally’. This was the great depression. My grandfather, destitute and ravaged by alcohol, had gone off rabbit shooting, a common way to scrape together a living.

Aside from their economic woes, in 1928 my grandmother had also suffered the loss of a third child called Joan – aged three and a half months, to ‘Marasmus Asthenia’ or malnutrition. They were living in Belka  – not much more than a rail siding  – in the Wheatbelt region of Western Australia. 

Sadly, search of the records at Leederville and at the head office in Abbotsford failed to find anything about my grandmother’s time under the Good Shepherd sisters’ care. My mum believes that Vera gave birth to a fourth child while staying in the convent. While there are no records of this, it is very likely that the child was informally adopted out, the shame carefully hidden by my grandmother’s better-off siblings and the Good shepherd sisters. 

Today, I was one of about 150 people gathered at the convent to participate in a singing workshop with Clare Bowditch, a popular singer with a solid following in Melbourne.

Ranging in age from their late twenties through to their sixties (my age), most of the people were from Melbourne, and I suspect the more hip parts of the city.  Attire was casual and dominated by colourful summery outfits that you would see in Brunswick St boutiques.   A handful of men were among the crowd, mostly in their 40s or older.

He was sitting by himself near the wall, eyes down, nervously fiddling with his smart phone.  Perhaps about 16 or 17, with warm brown skin and finely sculpted Asian features, he was a stand out among the buzz of conversations that filled the room.

A lone visitor to Melbourne, I wondered whether I should say hello to this boy-man.  As he lifted his head and looked out into the crowd I decided that I would approach him.  Immediately, he stood, and his beautiful face lit up with a gorgeous smile. ‘I’m Zion’, he said, and without missing a beat we were talking.

As a guess, I thought perhaps he was Vietnamese. ‘No’, he said, ‘I’m a bit Chinese, a bit Indian and I’ve got some European somewhere’, as his voice trailed off.

He was just a few weeks into year 11 and vocal studies was one of his subjects. This was enough to establish a link because Dom, my eldest daughter had done exactly the same in her HSC just over 20 years earlier. Then our second point of contact was revealed when he told me that he was at Footscray City College. Dom’s first born, Joe had just started there and, as a fresh 7th grader, was having a few struggles settling in. Zion offered to speak to the year 7 coordinator to look out for Joe. I was very touched by his readiness to do this.

Coming to the choral workshop, which was promoted as an opportunity for people who have had little or no singing experience to ‘have a go’, was a big deal for Zion. His Mum suggested that he do so as a way of gaining some performance experience.  He told me that he was worried about how he will go with his music studies, nervous because, by contrast with others in his class, he had only just begun to learn singing. But, so far, his assessment marks had been about the same as theirs. He was reassured by this; proud of it.  Being at the workshop was clearly an important part of his efforts to build his confidence.   

Ok, I thought. I had better not outstay my welcome. So, I left my bag on top of a stack of plastic chairs that were clustered behind and next to where we had been standing and made my way to the Ladies’ toilet. When I returned a few minutes later, Clare had appeared, and people were picking up cushions or grabbing chairs and moving into the workshop space. I retrieved my bag and took a chair.  As I did so, Zion followed me, positioning his chair next to mine at the back of the crowd.

As is usual in a choral setting, Clare took us through a series of warm up exercises that involved walking around the room, moving our bodies in silly ways and making silly noises. Zion was fine with that. Returning to the safety of our chairs, we nodded to each other and he added a smile of delight and relief.

Then Clare introduced our first song, the simple but powerful ‘Wade in the Water’. Zion’s voice was tentative, barely audible, taking a while to find the correct notes.  As the morning progressed, however, I could hear him more clearly. The notes spot on, the timbre round and warm.  The second song, Katy Perry’s ‘Roar’, was a little more complex.  Clare introduced a couple of alternative harmonies.  Most of the people stayed with the safety of the melody but Zion chose one of the harmonies, singing them confidently, beautifully. I gently touched him on the arm, smiled and gave him a thumbs-up.

At lunch time we went our separate ways, so when we returned to the afternoon session of the workshop, I was a bit surprised that he again chose the safety of our spot at the back of the crowd.

The preparatory notes sent to us before the workshop included advice about bringing something special to wear at the performance for family and friends.  In opening the afternoon session, Clare gave us a few tips about managing performance nerves and making the most of life.  I found the life lessons a little tiresome, a bit too borrowed from the ‘wellness’ school. Then she reminded us about the dressing up advice for our performance later in the afternoon. ‘Have you got your suit?’, I jokingly asked Zion. I think I shouldn’t have said that.  ‘No, I’ve got casual pants and a shirt’. ‘Great’, I said. We both chuckled but there was something in his tone which suggested that I may have momentarily shaken his confidence, and I instantly regretted it. 

A third song – not my favourite – and then a fourth song were introduced: Crowded House’s ballad ‘Fall at Your Feet’. Clare suggested that we all move closer to the front. I dragged my chair a little way forward, not wanting to move too far from the comfort of my spot in the back corner.  However, Zion left his chair, and made his way into the thick of the crowd and found a place on the floor among the cushion sitters. Yes, I thought, that’s a good thing.

At about 4.00 o clock, the workshop finished, and we were given half an hour to get a bit tizzed up and to rest before a final dress rehearsal and our performance.   

My preparations took about 10 minutes at the most. So, I returned to the reception area where people were chatting, having a cuppa and one of the scrumptious treats on offer, or sorting out their outfits.  

Then through the crowd I spotted Zion. He was sitting on the other side of the room in the same place he had been early in the morning.  He now had another chair in front of him and on it was assembled a panoply of gorgeous cosmetics – foundation, blush, eye shadow, eye liner and mascara – which he was applying with great poise and grace. I glanced at him fleetingly, careful not to let him see me doing so but he was in a bubble of self-absorbed concentration, so I doubt he was aware of me, or anybody else in the room. Nor would it seem that they were they looking at him either. Just before 5.00 o’clock, a middle-aged woman with two little children in tow made her way to Zion and embraced him, and I immediately wondered whether this was his mum and sister and brother. 

Newly named Los Valientes – the brave ones – our 150-voice choir performed our four songs; we were loud, a bit rough on the edges but entertaining, and the audience, sitting on chairs or on the floor or hugging the walls just a few metres away, rewarded us with enthusiastic cheering and applause – the type that reflects unconditional love and support.

Afterwards I made my way back through the noisy exuberant crowd of singers and their fans gathered in the reception area.  I found Zion with his family.  He was triumphant – beaming – as he introduced me to his Mum who said that she was so proud of his performance that she had cried, and with that Zion and I hugged each other. I wished him good luck with his singing and with school and his career.

Just for a moment, all was right in the world. What a joyous experience.

March 2018

Out of the Blue

Singing is supposed to be good for your health. Singing in a choir has the added benefit of providing social interaction among the singers. All of this sounds a bit clinical.

We had just performed in our last Sweet Adeline Convention. There was something rather poetic about the fact that it took place in our city, Wollongong. For me personally, it was doubly significant because the Wollongong Entertainment Centre was where I had first seen Out of the Blue Singers in 2003 and became instantly captivated by the chorus’s four-part a cappella performance of Simon and Garfunkel’s famous song, Sounds of Silence. It was the performance of this beautiful, hypnotic song that made me realise that I just had to become part of the choir. Being a ballad, the singers performed the song with intense emotional engagement.

As a young child I was notoriously hopeless at picking up the words of songs or even committing to memory poems learnt at school.  The exception I realise is the few prayers that I was required to learn by heart at the convent schools I attended in Perth in the 1950s and 60s. So, it is with a sense of amazement and deep satisfaction that I ponder the fact that I know many songs and can hold my part in them in the choir: that I can contribute to the beautiful four-part harmonies that we sing.

Competition is the lifeblood of the Sweet Adelines, the centrepiece of the annual calendar for many member choruses (the term they use instead of ‘choir’), and a biannual requirement of maintaining membership.

Normally, each chorus must sing two songs: a ballad and an up tune, on which four judges often from the US each allocate the chorus a score on four different criteria: music, sound, expression and showmanship. So, the judges award points not just for vocal quality and vowel accuracy but also for the way in which the chorus members make their way onto a stage, move into position and add choreography to the song.  Of course, choice of costume and personal presentation of the singers are also important criteria. I recall one year our chorus losing points for the lack of uniformity of our eye make-up and the lack of ‘style’ of the hair do’s. 

However, a few years ago, a new people’s choice category was introduced. As well as avoiding the burden of being subjected to a formal judgement and score, the new category’s focus on presenting a themed ‘show’ package (lasting no more than 10 minutes) appealed to our sense of creativity and play.

In what turned out to be our last performance in the national convention, we sang a set of three songs which were poignant, funny and joyfully rebellious. Replacing stories of unrequited or long-lost love somewhere in Mississippi or Carolina in the 1950’s, we were contemporary Australian women coming to terms with the realisation that we had lost our youthfulness and instead were at risk of becoming like our nagging, tired parents.

In place of the typical satin and sequins, we wore dreary brown aprons, and carried bright pink tea towels and fluffy dusters.  Instead of the usual energetic stride and wide mouthed smiles that are expected of contestants, we dragged our way on to the stage, our hunched shoulders and sullen scowls conveying our weary acceptance of the abysmal lot that life had served up to us.  

In yet to be revealed contrast with this suburban motif, one of our members, a sixty-year-old playing the role of Tinkerbell and wearing a lime green fairy dress and carrying a wand, skipped across the stage and into position on the risers. A second woman, also about sixty and dressed to look like an overgrown Pinocchio, wore a bright red tunic with yellow sleeves, black waist coat and a huge white collar from under which appeared a blue satin ribbon necktie. This matched the ribbon that wrapped around her straw boater.  Nodding at the audience with a silly gawky grin on her face, her entry was a perfectly clumsy caricature of the overgrown pointy nosed Disney character that she was portraying.  

Their role in our daring little musical drama, part parody, part romance was to roughen the silken edges of the child-like dreams of these famous Disney characters with a touch of grown up reality.

The first word of our forlorn song was ‘help’, which we repeated over and over, beseeching the audience to save us from our demise.

But, by the end of the first song, we had ripped off our aprons in a bold rejection of the stereotypes that we had feared we were becoming to reveal gorgeous lolly pink and crimson costumes beneath. By contrast with the dreary reality of the first song, our second song, the well-known Disney theme, When You Wish Upon a Star, was the most romantic and lyrical of our set. It suggested that dreams come true when your wishes come from the heart.  (When we first heard that the song was to become part of our repertoire, we shared childhood stories of having dinner in front of the TV while watching Disneyland on Sunday evenings.)

But of course, we also knew that Pinocchio doesn’t always tell the truth and that Tinkerbell’s promise that little girls will all blossom into beautiful happy ever after women was a mere fantasy. Nevertheless, in our third and final song we boldly dared to claim a new identity. Our bodies swaying and twisting in different discordant directions, the mantra was to ‘chillax’ and let yourself go, as we rejoiced in the newfound freedom of becoming whatever we wanted including crazy hipsters.

Only one other chorus performed in the people’s choice category. Being one of Australia’s largest and best choruses, they were taking a break from competing in Australia this year because their ambitions were focused on a much bigger target, the US convention that was to be held later in the year. Although the audience loudly cheered their support for us (mutual support of this kind is the norm at conventions), among the women that had been allocated the task of judging the two choruses, we were deemed to be the less popular chorus. Still to this day, we are very proud of our last hoorah to Sweet Adelines, and we laugh out loud when one or other of our lot claims that we were really cheated of that people’s choice award.

Normally, we take a break from rehearsals on the Wednesday following the convention and then celebrate our efforts and achievements with a party on the next Wednesday night.

Typically, a handful of partners, children or friends come along to the convention to give us support, to cheer us along, but the post-convention revelry is usually just for choir members. This year, an exception was made for one of our groupies, Pat’s daughter Jane who was visiting Wollongong from Melbourne.

About 18 months earlier, Jane and Pat’s son and grandson, Nick, then 17, had been seriously injured in a car accident. Every few weeks, Pat, retired and on a pension, would make the trip to Melbourne to see Nick, whose return to health continues to be painfully slow. On her return to rehearsals, we would ask how he was and offer sympathy and hugs. Every few months, Jane would post an update of Nick’s progress on Facebook and some of our members would respond with comments of support. Many also offered various forms of practical support. 

Like many other women, Pat has been in the choir for many years. A former training manager for David Jones, she has a beautiful resonant bass voice – the lowest of the four parts that we sing, and is renowned for the smooth, seemingly effortless, physical warm-up routines that she frequently leads at the start of our weekly rehearsals.  Indeed, she is one of our foundation members that date back to the choir’s establishment in 2002. 

But that is all really immaterial. Friendships run deep among many members of the choir. More fundamentally, mutual respect and caring among all of our group are rock solid. Just as we rejoice in somebody’s good fortune, and celebrate birthdays, weddings and the arrival of new grandchildren, we are also there to offer support or to come together in grief, when the wheel of fortune is less kind.

When Pat mentioned that Jane was coming to Wollongong but was disappointed that she would miss out on seeing us at the convention, our directors not only decided to change the date of our party so that Jane could be there, but we performed our set for her, complete with our aprons and two-tone floral pink outfits. 

The fare at our post-convention parties was, as usual, simple and make-do.  Chicken, coleslaw and potato salad (picked up from the local Chicko’s takeaway outlet), soft drink and lots of wine were shared as various speeches gave due recognition to many in our ranks that had contributed in some way to our participation in the convention.

We thanked Vonny and Janette, our musical directors for their choice of such great songs and for their tireless commitment to guiding our performance over the previous five or so months. Lucy, Helen, Bronwyn and Rosemary, our four section leaders were also thanked for the many section practices that they had organised in their homes.  Lesley and other women who had organised our costumes and this year’s very successful ‘harmony bazaar’, a pop-up market of more than 20 stalls selling clothing, jewellery and a miscellany of artwork and crafts at the convention, were also given a round of applause.

We exchanged stories about the comments that women from other choruses made about how much they enjoyed our very entertaining performance.  We whooped with delight about the various reactions to the wonderfully bizarre installation that Rhonda and Di (sisters) had set up in a particularly busy corner of the main walkway of the convention centre. Capturing the beachy setting of our gorgeous city, the centrepiece of the installation was a bikini clad, red lipped blow-up doll that lay, drink in hand, on a banana bed surrounded by beach balls, brightly coloured towels and other gaudy looking beach apparel – including outsized bright yellow sunglasses. Not quite an up yours, the installation was nevertheless a quiet chuckle at the conservative female norms – the faux glamour – of the competition.

Jane took the floor and gave us an update on Nick’s rehabilitation. She thanked us for our interest and support, and we listened intently, witnessing with awe her down-to-earth courage, and drawing her into our circle of love.  Then we sang a few of our favourite songs; chatted, laughed, ate and drank some more.

July 2017

Cappuccino

I had been halfway up the hill to my place after a low-key, pleasant but tiring afternoon attending a mixed media painting workshop, when I talked myself into doing a U-turn back to the shopping centre to pick up some groceries. I rarely stop for a coffee but as it happens, because I was tired, and my brain was still trying to make sense of the confused process of bringing glued paper together with ink, acrylic and oil pastel, I decided that I would grab a coffee and spend a few minutes working out what I needed to buy before proceeding to Coles.

‘Can you spare me a coffee?’, I heard to my left as I approached the entrance to the shopping centre. I turned and placed my hand on his arm: ‘Sure’, I said, ‘What would you like?’

‘Cappuccino’, he answered, and trailing a small bright red wheelie bag, led the way to Oliver Brown’s, a café conveniently located within about 10 metres of the entrance. By the time I reached the cafe he was already asking the young woman behind the counter for his preferred coffee. So, not surprisingly she was a tad confused when I said I was paying for the drink and added my skinny flat white to the order. ‘Would you like something to eat?’ I asked and proceeded to order his choice: a passionfruit topped cheesecake and a muffin for me. By the time I had paid for our order, he had made his way to a nearby table.

Finely built, with grisly grey hair and an angry dark-skinned face, he was a picture of dark on dark: navy blue hoody, navy blue jeans and black runners. I reckon he was in his early 50s.

I sat opposite him but on the chair to his left.

As soon as the coffee and food landed, he used the wooden take-away fork to tackle the cheesecake with great gusto. A few mouthfuls later, he extracted coffee sachets from his red bag, opened a couple and poured the contents into his cappuccino and stirred the stuff briskly into his drink.  

‘Wow, that’s a heap of coffee’.

‘Yeh, bought it earlier today’.

‘By the way, what’s your name?’, I quietly asked.

‘Denis’.

‘It’s nice to meet you, Denis.’

‘So, what brings you here?’, I asked.

‘Just out of fuckin Long Bay. Nine months.  Hit the fuckin missus’.

‘That’s not ok, you know’.

‘Yeh but I just smacked her’.

‘Ah ha’, I quietly responded, realising that pursuing the topic was pointless and perhaps a tad risky.

‘Where do you hail from Denis?’. He jerked his head towards the southern entrance, ‘South Coast’ he said. ‘Fuckin Eden’.

‘Do you have any kids?’.

‘Yeh six. But they’ve all gone. Moved on. Fuckin cunts. Spent time in … and did isolation in … for a bit too’.

I think I heard Grafton and Goulburn, but it was difficult to decipher what he was saying, and for some vague reason – perhaps fear of what he would tell me – I didn’t think it was a good idea to ask him to clarify. 

‘Denis, what sort of work do you do?’

‘Labourer, factories, always worked in factories.’

‘Ok, terrific’, I answered feebly.

‘So where are you staying?’

‘Suppose I’ll sleep on the, on me sister’s what do you call it, on me sister’s bloody front ..’.

‘Verandah?’, I offered.

‘Yeh, her front verandah.’

I think he told me that she lives in Eden. As he told me this, I realised that my question was a tad rash, and my shoulders imperceptibly dropped with relief that he wasn’t asking to stay at my place.

At this point I offered him my partially eaten berry muffin. I wasn’t really hungry and had taken only a couple of mouthfuls. He grabbed the muffin and demolished it within seconds.

Placing his Opal card on the table he said, ‘Can you spare me $20? Need it to top up me bloody card. Need to get to me sister’s’.  As I fumbled in the top pocket of my backpack, I wondered whether public transport would get him to Eden. Hadn’t he said his sister was in Eden or did I get that wrong? He stood up, in readiness to go.  I quietly handed over $30 which he slid into his jeans pocket and left the café, making his way speedily along the shopping arcade, his red wheelie bag rolling behind him.

May 2026

My Car Accidents

My first car accident occurred in 1976. A young teacher, I was driving home from Hampton High School in Western Australia in our first car, a Fiat 850 sports car, which we had bought just before we married in January 1973. When we exchanged our nuptials, Steve was 21 and had just completed his engineering degree at the University of Western Australia WA. I was still six months short of 20 and was two years into my Arts degree.

The Fiat was our pride and joy, and in keeping with the fashion, we had the white duco repainted bright yellow. We felt very sophisticated; very cool when we drove our little sports car to Denmark on the south coast of WA for our honeymoon. We also felt very adventurous in February 1974 when we packed all our clothes into it and drove across the Nullarbor to Sydney where Steve took up a scholarship to complete a one-year master’s program at the University of NSW.  

For West Australians, the trip across the Nullarbor to the Eastern States was legendary. I recall as a small child, ‘slide’ evenings in which friends far wealthier than us proudly showed images of them standing in the red dust on the side of the highway next to their Holden, with tarpaulin covered luggage sitting on the roof, and the vehicle covered in a thick layer of the gritty red stuff.  ‘This is us having a morning cuppa somewhere between Balladonia and Caiguna. The pot holes were amazing’.

Originally ‘built’ in 1941, the Eyre Highway was the only road connection between Western Australia and the Eastern States. A deeply rutted gravel and red sand track, it was only sealed in sections during the 1960s and 70s. When we made the journey in 1974, about 200 kms were still unsealed.  

The Fiat was the quintessential city car: tiny, close to the ground and definitely not designed to float over the deep corrugations. On the contrary, a long-standing joke between Steve and me is that I enjoyed the vibrations. Fortunately, our adventure was just about incident free. The exception occurred at a camp site in Eucla where we were assailed by the thundering sound and vibrations of two or three motor bikes that circled our two-person tent a few times as we lay in it. Probably just a lark intended to frighten us a bit, which it certainly did, but we survived without any material damage.

On that day home from Hampton High School in 1976, I was turning right onto a busy road and failed to give way to a car that was driving towards me. Neither the other driver nor I was injured, but his car was damaged, and ours was a write-off. That was the end of our beautiful little car, which we replaced with a Hillman – one of the more modern minx models, probably from the early 1960s, which we gave to my young brother some months later when we departed for a year of backpacking overseas.

I was very embarrassed by this accident, because I do not consider myself a reckless driver.  I was once stopped by a policeman who pointed out that I was driving too slowly.  Judgement or inattention has probably been my problem, and so I have responded to this by giving myself plenty of time to enter traffic.

It would be fair to say that I am a three-state offender. In 1984, our Mazda traveller van – a nine-seater – was sideswiped by another car as I attempted to veer from the right to the left lane on a busy roundabout in Hobart. The driver of the other car was an off-duty policeman, and while neither of us was injured, both our cars were very slightly damaged.  Apart from the opprobrium with which he took the opportunity to let me know that I was in the wrong, I also endured the embarrassment of Steve’s colleague Burt witnessing the accident from his desk in the Department of Transport office which overlooked the roundabout.   For many years later, we all laughed at the fact that it was impossible to get away with doing something wrong in Hobart. However, before I had had a chance to ring Steve – these were pre-mobile phone days – I contemplated the wisdom of having not shared with the policeman the fact that the occasion was accompanied by two possible mitigating factors. The first was that having only recently weaned our third child, this was the first day of my first period in five years. The second was that I was – quite uncharacteristically – listening to ABC FM classic and immensely enjoying Vivaldi’s Four Seasons.  Not ever since this experience have I listened to music on the radio while driving; I am too fearful that doing so will be an unsafe distraction.

Fast forward to Wollongong in 1996. I attempted to turn right out of a busy T junction and failed to see a car approaching from the right.  Hers, a brand new mid-blue sedan, the make of which I cannot remember was slightly damaged. Mine, a black Citroen Xantia, and perhaps a couple of years old was, perhaps appropriately, was so damaged that it was un driveable. Having exchanged contact details, I sat on the curb to wait for the tow truck to take my car to the panel beaters.

This was an extremely busy time of my life, in which managing three kids and a business had me driving long distances every week, and probably far too often trying to avoid running late. The accident earned me the final three of my twelve demerit points, and thus resulted in me making a trip to court and losing my licence for three months.

I don’t remember my defence, but I clearly remember the magistrate’s swift and merciless dismissal of it, when he said that any defence would be worthless if I killed myself or others on the road.  While I couldn’t argue with his rebuke, I later wondered whether his impatience was a result of the fact that his son was the sole survivor of a recent head-on collision that had killed his mates, and all the occupants of the other car. The accident occurred late at night on a quiet, narrow road. The vehicle in which the magistrate’s son was a passenger was travelling at high speed:  apparently the young guys were engaging in a bit of a youthful, but reckless lark.

Fortunately, apart from my guilt and my wounded pride about yet another failure of judgement, my accident was injury free.  But, the incident will always have a special place in my memory.  As I sat on the curb with my head in my hands and feeling like an idiot, I suddenly heard my eldest daughter calling me. Dressed in over-the-knees, blue, red and white pleated check uniform, black leather shoes and white socks and an untidy mess of gorgeous honey blonde hair, Dom swooped down and threw her arms around me. ‘Yes, I’m ok’, I said, as I sank into her comforting embrace. Seventeen and in year 11, Dom was among a group of kids being given a lift by another mum on their way back to school after an excursion to the conservatorium when she noticed me and my mangled car.

As a teenager Dom was romantically optimistic, feisty and probably even a bit reckless at times.  But, this was the first of two occasions on which she gave me a taste of the compassion and selflessness that I have loved about her ever since: the second was a year later just a few days before her HSC, when she drove me to hospital in the middle of the night. Apparently, on average, we can anticipate having 3-4 accidents in a lifetime of driving. That is according to an American calculation and I don’t imagine that the figure will be much different in Australia. So, lets hope that I stay at this point on the bell curve for the rest of my life. 

June 2019

A Lumpy Letter

A few days ago, a lumpy letter arrived in the mail. I say lumpy because I could feel something soft bulging inside the envelope, and not unusually the message on the front of the envelope let me know that there was a special gift inside for me. This was a promotional letter from a charity encouraging me to become a donor, the socks apparently intended as an inducement. I wonder how the charity’s marketing staff decided that this would work with me. Perhaps they thought that I would consider the gesture a kind one that makes me feel like reciprocating the kindness by making a one-off donation or even better becoming a regular donor.

Alternatively, a less sympathetic view is that the gift is designed to induce a sense of guilt and obligation in me: an ‘oh bugger, I suppose I had better donate’ feeling. 

Or does the marketing team think that a vague combination of these anticipated emotional responses will lead me to hesitate before I discard the accompanying letter and instead read it and perhaps then decide to become a donor?

But none of these scenarios was the case. Instead, I thought, oh, please not again, why is yet another charity wasting money by sending me stuff that I don’t need and don’t want? Furthermore, what do I do with it? Forewarned with the knowledge that the envelope contained an object that I don’t want, I was tempted to just throw it unopened straight into the rubbish bin. However, I am reluctant to do that because the envelope and letter should be thrown in the recycling bin and the plastic window of the envelope and the gift, complete with the plastic bag in which it was packed, need to go into the general waste. Aside from the nuisance of having to complete this tedious sorting and disposal process, which in turn forces me to see and handle the gift, I feel guilty and exasperated at wasting the socks and adding to land waste. So, the best I could do was to discard the envelope, its plastic window and the letter appropriately, and drop the socks into a charity bin at our local shopping centre. Ok, done!

No, here we go again. This time it was an A4 envelope, sans the clear window but with a picture of a cloth shopping bag and words saying ‘Can you help us with the heavy lifting? Your free gift inside…’

My strategy this time was to return the package to the sender. In the past I have done this and placed the package inside another envelope which also contained a letter describing my concerns. Returning the package doesn’t really solve the problem but it does let the charity know that the strategy didn’t work with at least one person.

Let me be clear. I do not resent charities reaching out to me for donations. As it happens, I am a regular donor to a number of charities and give one-off donations to others each year. In doing so, my decisions are based on local and international causes that I think warrant support and that I care about the most.

I just wish that charities would stop using this dubious method to promote their causes and to encourage me to become a donor or to increase my commitment to them. For me at least, the strategy is counterproductive.

May 2026

The Kindness of Strangers

We arrived at the Riverside Café and found a seat on the wide wooden floored verandah overlooking the Hunter River. To our right was a man seated alone, seemingly self-absorbed as he ate his bacon and eggs and scrolled his mobile phone. To our left were the only other people in the café – a group of about five blokes all in their 60s or older. Given their relaxed demeanour and that this was a Thursday morning, I reckon they were all more or less retired. Dressed in a motley array of T shirts, shorts and runners – the sort of attire that’s fine for hanging around the house in or working in the garden, my guess is that their visit to the café had been preceded by a walk, probably along the riverside path that stretched in front of the café and partly hidden by low scrubby gum trees. 

With our bikes loaded onto the back of our car we had left Wollongong the previous afternoon to travel to Brisbane. After attending a play – a Christmas gift from our three girls – at Sydney’s Belvoir St Theatre in the early evening, we drove to Raymond Terrace where we stayed the night at a little motel: a red brick box-like structure that was simple but clean and quiet – perfect for our need for a good night’s sleep.  

Keen to reach Brisbane in daylight, we were up bright and early the next morning, but our first port of call was somewhere to grab breakfast. Google search suggested Riverside Café as the nearest place on offer, and it had the advantage of being an easy place to park our car.

The blokes’ friendly relaxed banter, interspersed with occasional outbursts of laughter suggested a sense of familiarity with each other and the cafe: this was where they meet after their walk. Every now and again one or other them would call out a G’day, ‘How ya goin mate?’ or a friendly message of encouragement to a passing walker or jogger.

One of the joggers was a woman – I think the blokes called her Sue – very likely also in her 60s. Wearing a long, sleeveless white T shirt, black three-quarter length tights and old joggers, Sue shuffled past the café in a heavy sideways gait that suggested protection of wonky hips or knees.

Having cleaned up our scrambled eggs and skinny flat whites we returned to our car parked across the road from the café and next to the riverside path. Steve and I were checking that the bikes were securely locked onto the carrier at the back of the car when we suddenly heard Sue.

‘Going on a cycling trip, are ya?’ she asked as she stopped just beyond the car.

‘Yes’, I said, ‘we are headed for a three-dayer – the Brisbane Valley Rail Trail’.

‘Good on ya’, she replied her face spreading into a bright toothy smile. After a moment’s hesitancy, I added, ‘Actually, it’s our first post cancer cycling trip since my diagnosis two years ago. trip, so it’s sort of special.’

‘Oh’, she said, ‘that’s awesome’, and held my gaze for just a second before throwing her big bare, sweaty arms and drenched T shirt around me in a huge body warming hug. As we embraced, I felt utterly loved. ‘Thanks so much,’ I said. ‘Enjoy the rest of your run’.  

March 2026.

Christmas Shopping in Sydney: December 2014

I stepped out of St James Station onto Elizabeth Street to face a police barricade blocking off the street from just beyond the station down as far as I could see east of the station.  My first thought as I wandered across the street was that a Christmas parade was about to take place. So, along with a few others, I found my way to the edge of the pavement and glanced into the distance, wondering where all the action was.  Less than 30 seconds later, bored with the absence of anything apparent on the empty street, I decided to get on with my Christmas shopping.

Pulling out the scribbled list of items that I intended looking for, I checked the time.  It was 10.45am. This meant that I would have about four hours before I would need to make my way back to the airport to meet Steve’s flight. He had flown down to Melbourne early in the morning for a meeting with a client and, unusually, I had decided to accompany him the night before on the trip from Wollongong to Sydney, or more precisely to a hotel across the road from Sydney Domestic Airport. He was particularly tired because he had been working long hours on a number of large projects and I was worried about him driving to Sydney alone.

It was also extremely unusual for me to shop in Sydney as an intended, planned action.  Shopping for anything other than food, tends to occur for me almost accidentally or at least incidentally, and Sydney has been the location of this activity perhaps three or maybe four times in the last 28 years that we have lived in Wollongong.

David Jones was the first shop that I visited.  Within a few seconds of having made my way to the Clinique counter to purchase cosmetics for my youngest daughter Tessa, the sweet sales assistant, perhaps in her early sixties, and all bonhomie, reached for two jars of moisturising creams, and midway through a comment about the benefits of Youth Dew for a young complexion, dropped her voice to a barely audible level and asked me whether I knew about the ‘hostage situation’.

‘No’, I said in surprise.

‘A Muslim is holding a group of people hostage at the Lindt Café in Martin Place’, the word Muslim expressing a you-know-what-I-mean sense of terrorist.

‘Oh’, I replied with a mixture of shock and surprise, ‘that must be why the police are manning a barricade across Elizabeth Street’.

‘Yes’, she said, ‘you need to be careful. That’s a lovely pendent you are wearing.’

‘Yes’, I said, ‘it’s a gift from my choir friends in the ‘Gong’. And on our conversation went until she wished me merry Christmas, and having given me instructions for getting to the nearest Sussan shop, encouraged me to be careful. Why, I wondered for a fleeting moment, before remembering that there was a hostage situation just a couple of streets away.

A few minutes later I found my way to the Pitt Street mall, stopping for a few seconds to take a photo of an enormous Father Xmas display made out of Lego. The photo I thought would make a good conversation piece with my four grandchildren who would be spending a few days with us over Christmas. ‘Wow, Lulu that’s huge.  Is it really all made out of Lego? I reckon I could do that if we had enough pieces’, were some of the comments I imagined them making when I showed them the photo. I walked around the Lego display to take in whatever else was happening.

To one side a strange agglomeration of dogs sitting in a cart was attracting a fair bit of attention. They were there to raise awareness and money for Assisting Wellbeing Ability Recovery Empowerment (AWARE) Dogs. A metre or so away from them on another corner of the giant Father Christmas was an old man playing a Christmas carol on a violin, his tune struggling to compete with the piped music – another vaguely familiar Christmas tune – that pervaded the air, and frustrated me because I could not locate where it was coming from.

Glancing to the right I realised with a touch of surprise that King Street was closed, and I noticed a number of police officers purposefully striding along and across Pitt Street. And, all the time, I could sense the growing unease among other shoppers: the comments about the hostages.

‘Have you heard any more news?’

‘No, nothing more; just that there are 40 hostages. One has been forced to hold up a flag with Arabic script on it; others are standing with their hands up against the front window of the café. Well, I think he’s from ISIS.’

My thoughts returned to Christmas shopping. I checked my watch: it was 12.30. Yes, there was enough time before Steve’s return to Sydney airport to pick up some books from Abbeys in York St. Books are a standard favourite Christmas – and birthday – present for him, and I wanted to also get a few for the grand kids. Half an hour later I emerged onto York St. The load of Christmas presents in my little backpack had now been made considerably heavier by a couple of novels, and a couple of non-fiction books for Steve and a pile of young readers’ books and colourfully illustrated story books for our grandchildren.

Then it suddenly dawned on me. What if the trains are cancelled? Shit, how would I get back to the airport? What if the roads are closed and I can’t get a taxi? Picking up my pace, I made my way to the Queen Victoria building, navigated a path through the crowds of people shopping, drinking coffee, and eating lunch and headed down the stairs to the Town Hall Station.  Ok, which train will get me to the airport? Should I just jump on any train and get to Central or find out which one goes directly to the airport? Pulling my phone out of my shoulder bag, I quickly searched for the city timetable, completed the Plan Your Trip details, and with 2 minutes to spare, tapped on and walked as briskly as I could down the stairs to Platform 2, conscious all the time of avoiding a fall.

Stepping onto the train, it was surprisingly easy to find a seat. I gazed around only to be met by a silent sea of down-turned heads, most of them nonchalantly focused on mobile phone screens, some reading the newspaper, a few quietly dozing. Twenty-two minutes later I made my way up the escalator to the arrivals area at Sydney airport. Just as I downed the last mouthful of a coffee, Steve appeared. ‘Have you seen the news?’ he asked.

‘Yes’, I nodded. ‘Isn’t it awful’ I added, not sure what else to say.

‘I’ve been worried about you. I am so glad to see you. Let’s go home.’